In “Family Pictures,” I explore the myths found, and the elements ignored, within the images of my family’s archive and within the photographic archive as a whole. Working from four singular family images, I create puzzles that I then arrange in three different composistions. The first of each puzzle’s composistions proposes and unrecognizability of the images despite all elements of them being present, the pieces in a stack and the original images taped facing the wall. I then construct as much of the original image as I am able within ten minutes to create the second composistions. The pieces that remain become the basis of the third and final composistions as they are collaged, while the images included in the second composistions are scattered on the floor.